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Gordon Ramsay’s Playing with Fire

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  • Текст добавлен: 29 декабря 2018, 02:22

Текст бизнес-книги "Gordon Ramsay’s Playing with Fire"


Автор книги: Gordon Ramsay


Раздел: Жанр неизвестен


Текущая страница: 2 (всего у книги 4 страниц)

Even so, the timetable was fucking tight, and half an hour before we opened for our first evening service, the front desk was still being put together, the carpet was being vacuumed and the glasses polished. The night before, it suddenly occurred to me that the dining room was desperately bleak. There was empty shelving in recesses, and I remember coming up with some appropriate language for the fuckpots who had moved on from their design mission and forgotten the last chapter of their brief.

I called Chris, and he immediately took from his flat a collection of Murano glass. Just for the opening week, of course, until we could find something else, except that it stayed there for five years and became an iconic part of Royal Hospital Road.

In many ways, the building was the easiest part. We just had to get the builders to perform, and they did so with all the usual sucking of teeth, streams of tea and stonewalling of any question that required the answer: ‘Yes, we will finish on time.’ The transferring of staff from their Aubergine existence to Royal Hospital Road had been a sensitive part of this journey. When the crunch came and everyone walked away from Aubergine after the Marcus Wareing fiasco, the only meeting place we had was Chris’s flat in Mayfair.

There we all sat around this vast oak table looking with ashen faces at Chris, who was about to announce the new dawn. I often think back to that evening. Chris was sitting there in front of them, having just agreed to move forward with this unlikely band of refugees from Aubergine, all looking imploringly at him. They needed to know that, shortly, they would be transferring to Chelsea in peace and without the Italians. I don’t know what he was thinking, but it must have been nerve-racking for him, too. One of the partners in our firm of lawyers, Joelson Wilson & Co., who had known Chris for twenty years, asked him if he was sure he knew what he was doing. Nothing like a positive, well-timed question to boost morale.

The first few nights were soft openings to welcome family, friends and staff. These were dress rehearsals to give everyone confidence in what they were doing and to find the rhythm and flow between kitchen and dining room that you need in a well-run restaurant. By the time the first till-ringing night was upon us, we were ready. It was an exciting moment, and it was then – at about 8 p.m. – that the air conditioning suddenly went down in the kitchen and the temperature rose to a sweltering forty-five degrees. There was nothing to do but get on with it and wait for the engineers in the morning.

By midnight, sweaty from the kitchen, we were able to count our first day’s takings. By the end of the first month, September 1998, we had made money. Of course, that didn’t even come near to writing off the capital expenditure, but we knew we had a business that was making a trading profit, and this was a fucking great relief so early on. Within six months, we were clearing £50,000 every month, and our debt to the bank was beginning to come down. It meant we were able to draw the £175,000 from cash flow to pay the final tranche to Pierre Koffmann and thank him for his patience. The other indicator of success was that our reservations book was stuffed solid. I had restricted the bookings to one month ahead. I had learned from my Aubergine days that a reservations book without any time limit gave people the impression that they would never get a table, so they often simply gave up.

The whole concept of reservations is always tricky. You need a definite policy so that guests know the score. All sorts of myths have grown up around the reservations books of popular restaurants. Try calling The Ivy for a table at eight o’clock tomorrow evening, and all they will want to know is who you are. No fame is no name, and your chances of a table between the hours of six o’clock and 10.30 p.m. are slim. It became a joke at Aubergine that reservations could be bought or sold on a commodity market so that punters had to pay money to someone else – I never saw it – just to book a table, which ought to be free. No different to touts outside Twickenham, Wimbledon or Wembley.

Just as The Ivy sees celebrity table allocations as a commercial way to make the restaurant work, we had to have a plan, too. And it needed to be flexible. Think of table arrangements on two of the year’s big restaurant dates, St Valentine’s Day and Mothering Sunday. Who wants a table for four on St Valentine’s Day? The reservations manager has to plan ahead to get as many twos in as possible. Mothering Sunday is a family day, and suddenly, we need tables of four and upwards. Outside these special days, there has to be a balance of twos, fours and more. Too many twos need a lot of space, more laundry, more staff, and usually less money is spent on drink – and that’s a problem. Tables of four usually mean higher drinks bills. More guests bring a bonhomie, which means more wine being poured.

And whatever happened to the table for one? That’s always there in my restaurants. It’s never going to be a money-spinner, but any restaurant that refuses a single guest for a booking shouldn’t be in the business. Few people eat on their own in a restaurant, but there are some blessed people who come just to taste the food. What greater compliment can there be? One of Chris’s old haunts is a wonderful, laid-back restaurant called Rules, serving some great British dishes – coincidentally, it’s London’s oldest eating establishment – and there is a table that only accommodates one guest. I have never seen that table empty.

There are only forty-five seats at Royal Hospital Road, which makes things easier. When the bookings for a day are complete, that’s it. If the Queen called after that and asked for a table for two that evening for herself and Philip, you’d have to offer up your apologies. There is no room to manoeuvre, short of calling a guest and cancelling their booking, and that, believe me, is never going to happen. In a bigger restaurant like Gordon Ramsay at Claridge’s, it is easier to rearrange the bookings, and there, to be honest, we always have a table up our sleeve.

But when you’re planning reservations, you have to time them. Imagine two fully booked restaurants, one where everybody turns up at the same time, and the other, where all tables arrive at fifteen-minute intervals. Which restaurant is going to perform better? You have to give the kitchen a chance, and our guests have learned to appreciate this. Not only are they happy to book for 8.15 p.m., rather than eight o’clock, but they actually turn up on time.

When I think back to the early days at The Connaught, the procession of the old school diners into the restaurant at eight o’clock was a living nightmare for Angela Hartnett, the head chef. Then there’s the appearance of London’s power brokers for lunch at The Savoy Grill, all on the dot of one o’clock. Of course, it’s difficult for the kitchen to handle. Actually, it’s a fucking nightmare.

People say that restaurants where you have to book can never attract people who are just passing by. It’s nonsense. My favourite scenario is when a party of six or eight knocks on the door at Royal Hospital Road late on a Friday night and asks if there is a chance of a table. Too bloody right there is. You wheel them in and come to an understanding that they are more than welcome, provided we can serve them with whatever we have left. It means that we can empty the fridges for the weekend and have a large bill to round off the evening. And we make the guests happy, too.

That combination of good planning and passionate staff is exactly what you need to make a restaurant successful. It’s all part of the mix that makes a brilliant restaurant stand out from an ordinary one. That was what we had set out to achieve, and it soon became clear that we were getting there. And, suddenly, there was the chance of doing it twice.

It was in this same period that we were offered a second restaurant right in the middle of St James’s. Someone had thought they would run a restaurant for fun, bring their mates, and wondered why it had all gone pear-shaped. I had a look at it, with its trolley of sweating cheeses, white– painted piano and filthy kitchen. The menu was a disgrace, and the owner was flat broke.

Before the ink was dry on a hastily cobbled contract, the bailiffs moved in. But they were just a day too late. The builders were stripping the last remains of 33 St James’s and we had secured our second premises. The name was to become Pétrus, and the chef I brought in was Marcus Wareing. He was the first person to experience the elevation from chef to a shareholding chef patron.

This was where the stable of chefs-in-waiting that I built up at Aubergine became a reality. We have been able to expand because we have brilliant chefs, and giving them a share in the ownership of new restaurants was to become the way forward for us. I knew that the chef would always be the most important player, and it became a rule that we never planned a restaurant without the chef. The location, the design and the front-of-house staff were all important, but first we had to work out who would be in charge of the kitchen.

Pétrus was not an easy site. The kitchen was below the dining room, and everything had to be carried upstairs. It was a long room without a central arrangement for guests, so familiar at Royal Hospital Road, and without the easy, comfortable ambience. But all of this was more than balanced because we had a passion and energy to get this restaurant up and running profitably, which is exactly what we did.

The next job was to find a name. The name Pétrus represented the very finest claret. I wrote to the owners, asking if I could use the name, and they agreed. It meant a considerable investment in the cellar: as well as all the usual bins, we decided we needed to carry one of the finest collections of this Bordeaux wine, all the way back to 1945. It made me think that what we were becoming was a purveyor of wine, rather than food. After all, you can’t charge any more than £100 per head for the menu, but there is little or no limit on what people can spend on wine.

This is a kind of kick in the bollocks for someone like me, for whom the cuisine is all important. But the business reality – whether I liked it or not – is that wine provides us with the profit we need to keep going. And I was determined to keep going. It was less than one year since I had opened Royal Hospital Road, and already I had the beginnings of a stable of restaurants, and I simply had to make them both successful.

And, on occasion, I could live with wine taking priority over the menu. One night while I was in the kitchen at Royal Hospital Road and Chris was in the office in Fulham Road, we got a call from Marcus to say that a table of six bankers had ordered £13,000 from the wine list. The feeling was electric, and the voltage increased in line with the spend. When the bill increased to £27,000, Chris started to make old man noises about credit card clearance. By the time it had reached £44,000, we made the decision to remove all food charges from the bill. After all, what was £600 in the face of this extraordinary wine spend? By noon on the following day, the news had somehow leaked, with front-page coverage in The Sydney Morning Herald and The Straits Times. It was one of the few occasions when Pétrus was on everyone’s lips.

CHAPTER FOUR

A SCOTTISH FAILURE

Vanity should carry a health warning When it bites you, take action. Bleeding to death can kill you.

ROYAL HOSPITAL ROAD was paying its way. Pétrus was winning praise for Marcus Wareing’s cuisine. We were confident and on the look out for more sites, but – as it turned out – I was sleepwalking into my first failure. Good lessons are best learned early, but they are never easy, as I was about to find out in an ice-cold, down-your-neck way from a wild foray into Scotland at a time when I was still learning to walk in a business nappy.

This is a story of vanity, plain and simple. Open a couple of successful restaurants in London, and you are ready to take on the world without it ever occurring to you that there might be factors you’ve never thought about before.

As is so often the case, it began with a phone call and a proposition at the end of the line. In this case, it was Edinburgh beckoning with a prime site on the Royal Mile, and Chris was off like a gunshot. First, he checked out the proposal, talked to the finance director, who was on show-round duty, and then moved off. He was up there for the rest of the day to have a look around the Edinburgh restaurant scene before getting an early flight back to London the next morning.

The idea was to see if we could offer something to the stiff, up-your-arse society of professionals, financiers and low-spending tourists who exist side by side in the city. We knew that the Scottish Parliament would soon be opening – if someone could just control the shocking building overspends of public money and long delays – and that would mean a fucking big boost to the local restaurant trade.

But when Chris got back, he was not optimistic. He told me how the beautiful Princes Street was now a ruin, and asked what the fuck had happened there. It’s true: it’s like there’s been a hideous signage competition, with the world’s worst performers strung out in a line, and nobody seems to notice it. It’s plain fucking wicked that this has been allowed to happen. Is this the price of commerce? Business doesn’t mean instant shit in the face like this. Whoever was in charge must have been blind or an idiot. What a sad, fucking shame.

Chris looked at a hundred different menus, checked the pricing and talked to bored waiting staff. A picture began to emerge, and he already knew that Edinburgh was not for us. Edinburgh makes money and keeps it. They spend it carefully and primly on school fees at Fettes or antique fire¬ guards. There is no joy here, nothing that drives people out to get rat-arsed on a Friday in an Armani suit with a midnight call to the wife to hand supper to the dog.

There was a lovely story while Chris was up there. That evening, he got a cab over to Leith to try out Martin Wishart, who was making a name for himself in his restaurant by the quayside. As always, Chris was dressed in a suit, and having sat down, he went through the card and managed a bottle of decent claret. Having finished, he asked if he could have a look in the tiny kitchen, and Martin obliged. The following morning, Martin was on the phone to me to say that, without any doubt, he had been visited by a Michelin inspector the previous night. I was really happy for him until I asked what the inspector had drunk, and, on hearing that a bottle of claret had been downed, I questioned Martin a bit closer. There is no way that a Michelin inspector would ever do that, and neither of us was any the wiser until Chris returned and mentioned what a great dinner he had had in Leith.

It’s a different story in Glasgow, however. Everyone knows how to have a good time there, and it’s not thought irreligious to spend a few quid on proper wine. It’s a more frenetic city, full of people who have no ambition other than to live life.

Just as we were discussing all this, the phone rang from Glasgow. Someone wanted to sell a big restaurant right in the heart of the city. We both went to look, and suddenly the old excitement resurfaced. Nothing thrills like the thought of a restaurant full of good food, good service and the musical whirr of the credit card machine. A million makeover versions swamped our minds. Everyone was writing their versions of the menu, sketching designs with seating plans on the back of used envelopes. The big question was: how far was the Rangers ground from there? How would it figure on a match day? I was dreaming, and already, in my stupid eagerness, I lost the plot.

Still, before I had time to think, the whole project had sprouted wings and suddenly there were surveyors, lawyers, electricians and rodent catchers, all present to put this together and submit fancy bills for their endeavours. I was getting a bit uneasy with the people who were selling the restaurant to us. They were keen – too keen – to impress me with the size of their other operations, and then suddenly they started to talk about the crappy abstract artwork in the restaurant. They pointed out that these early works of infants at school were not included in the sale, but could be made available as a side purchase.

Here we go again, I thought. However big someone is, Rule Number One is this: if there is cash, they want it, and these greedy arseholes were about to lose a deal because they wanted a few readies on top of a shedload of money for their restaurant.

Chris and I talked about it. We were both totally pissed off that, having talked through the heads of terms, some dickhead started to murmur about a few pictures so they could screw some more money out of us. We don’t do side deals. So the deal turned stone cold, and Chris told them why. It no longer matters now, but they were totally mystified.

Then the phone rang. It was Glasgow again, and this time, One Devonshire Gardens, Glasgow’s chic West End boutique hotel. Now this was a boner, and I was up there with Chris, as keen as a setter on the scent.

The place looked right immediately: three houses joined together and filled with browns, tweeds and long, elegant drapes, and with rooms the size of snooker halls. There was a smooth life going on here, but the one thing that they didn’t have was a restaurant. Fuck me! We can arrange that. And, in doing so, fine dining would come to my home town. The more I saw of this fantastic establishment, the more I fell in love with it, and any numerical doubts faded away, along with my sense of judgement.

We went back to London, and the whole process of negotiation, lawyers and contracts started all over again. We found Scottish lawyers, who are a different bunch to our beloved Joelson Wilson & Co., but Scotland is Scotland, and they play by a whole different set of laws. Soon we had a deal, and it was only a matter of time before wet ink was scrawled across a ten-year lease and an accompanying operating agreement.

The first base in this home run, as always, was a chef, and I already knew who was going to head north to run the kitchen. This remote outpost would also need a general manager, and I had just the person in mind. From then on, there was a long succession of trips to One Devonshire Gardens by our human resources manager, our operations staff and the kitchen designers. Gradually, a shape was evolving, and although the English press was pretty low-key about this adventure, the Scottish papers were lining up their sharpened pencils.

Amaryllis opened to a Scottish fanfare. We had a launch party that rocked late into the night, which was all very well, but the following day, we were open for business. The opening weeks went well. Nobody could believe that this restaurant was attracting forty covers for lunch and sixty-five in the evening. I did more television interviews and talked to more journalists than ever before. The critics moved in. Their reviews made good reading, and I knew we were already on the way to a Michelin star.

At what stage did I realize that things were going wrong and that the paste that held up the wallpaper was just too thin? Well, if the truth were known, it was not so for far too long.

But it was soon clear that the pressure from Glasgow on our London operation was beginning to grow. The northern kitchen brigade was rowing, absenteeism was at a level not known to us in the south. On top of all this, the owners of the hotel had just run into trouble.

It is always traumatic for everyone involved when there have to be changes in senior management. The finger of blame can only point to myself and Chris, and if we get an appointment wrong, then it will certainly be us who end up paying the price.

All you can do when you appoint someone is interview them and check out their reputation. But reputations are leaked, spread, smeared or openly published, and are often the stuff of crap and nonsense. I know how I can exaggerate and pass on stories about them as if I witnessed the whole thing myself – when, actually, I’ve never met them. As for the interview, well, that can be a trip to Disneyland. Nobody ever goes to an interview with a long list of their weaknesses. They save them for later, and drip-feed them when you least expect it.

So, a new appointment is made, and off we go into the woods, axes in hand, ready to build a tree house. All is sweet to begin with, and slowly, almost imperceptibly, ominous signs begin to appear. They may not have forgotten the axe, exactly, but, at some stage, it will need sharpening and the stone was left at home. The idea is that senior managers have to think things out for themselves. They have to plan, budget, foresee everything and make things happen. If you’re building a tree house, you need drawings, materials, a compliant workforce, safety procedures to stop Bob the Builder from falling off the tree holding his chain-saw, and the house needs to face the right direction to catch the sun. In fact, someone must be experienced enough to see the whole thing through.

If that doesn’t happen, you know you’ve got a problem. When a bend in the road appears, you get a choice. You can either steer around the corner or you can fail to notice it, ignore it, and crash. That’s when you have the odious task of saying goodbye and having to look for someone else, and you know in your heart of hearts that it is not so much a senior management failure, but your own fucking fault – or Chris’s fault, if I’m feeling that evil.

We were, as they say nowadays, ring-fenced from the hotel operation, which was now in the hands of receivers. In practice, that meant it was run by accountants whose only aim in life was to cream every penny out of this financial flop for the creditors, and that was never going to result in a well-run, happy hostelry with residents queuing up to sample my menu.

Still, we paid countless visits to Amaryllis. Chris and I would leave London at 4 a.m. and race up the motorway to be there by 8.30 a.m. When we got there, we would talk to staff, listen to their catalogue of woes, and then do the motivational bit, sure that – this time, finally – everything would change. I would gather all the poor, wee lost souls in the main dining room with the high ceiling and slight mustiness in the air, and I would talk gently. ‘Guys,’ I would say, ‘we have some issues here that we need to sort out. We need to do this together, you and me, so that we can learn from our mistakes and make this so successful that the queue for dinner stretches right down to Sauchiehall Street. So tell me what you think might be wrong at present.’

Nothing is forthcoming, so I move it up a gear. I look for the face that shows that its owner wants to hide behind the drapes – those long, grey, funereal drapes that are looking more and more apt by the day – and I try and draw him out.

‘Harry?’ I ask. He’s the barman who has personally ordered fifty-seven varieties of Scotch in the mistaken belief that he will entice most of Scotland into his bar. ‘How are you with all of this? Do you feel that we can work this out as a team? What about you, Cynthia? How can we improve our daily reservations?’

And so I go on, asking and listening carefully. In their replies, the real answer is hidden. I need to hear the tone, the timbre and the inflection to see if they really think that this can work and to see – most importantly – if they want it to work.

I tell them that they are only here because they are good, and were chosen because of this attribute. I explain that London is not that far away, and that everyone in the office really wants them to succeed. Then I ask them if they can help me get the show on the road. And, bit by bit, I can see hope. They want this to work, and they know that I want it to do so as well. We can do it. We have the best fucking ingredients in the world on our doorstep. We need to spoil our guests with smiles and recognition. We need to deal with problems immediately, and always in favour of the customers. Are we together on this? The room tells me yes, and although it might be some way short of Billy Graham’s call to Jesus, I really believe that I’ve encouraged them.

The trouble was that it never did change and, as this became apparent, we felt less like going up to Amaryllis, knowing that the love affair was over.

London was having its own problems by then. Pétrus had moved to The Berkeley and we had kept on 33 St James’s. It had seemed simple enough to give the restaurant a new name, make some changes to the menu, drop the prices fractionally, and wait for the same old crowd to keep coming. Only they didn’t. Turnover plummeted, and we were suddenly no longer making £40,000 a month.

So Marcus Wareing and I were ‘invited’ to Chris’s office for a chat. It was a bit like attending the funeral of the family pet. There, on his desk, he had sheets of paper with the past six months’ profit and loss figures. We ploughed through them, starting with Royal Hospital Road, then on to Pétrus and the other restaurants we were beginning to open in London. They were bringing in total profits at the rate of around £250,000 each month, which was great.

‘What was wrong with that?’ we wondered, until Chris launched into a rundown on the two failing restaurants.

Marcus and I had a pocketful of reasons and excuses for this state of ruination, and, above all, we had the determination to fix it. There was a pause, and Chris said that he thought that we should shut the two restaurants the next day.

‘Had he gone mad?’ we asked.

Closing would be like admitting defeat, and, most importantly of all, how would it sound to the press?

There was another cold, stony pause from Chris before he delivered the well-aimed kick in the bollocks. ‘You can continue on one condition,’ he said, ‘and that is that the two of you personally pay over to the company a total of £41,000 each month until you have everything under control and the restaurants are no longer bleeding the group dry.’

He went on to explain that both cases were past redemption and that, unless we were happy to carry these losses personally, say for the next six months at a cost of £366,000, he suggested that we spend the rest of the meeting planning the two closures.

It was really strange, but this was suddenly a moment of great clarity, and I felt a huge relief. Of course it was heartbreaking, but both Marcus and I, dumbarses that we were, knew that the game was up and we would no longer have to dread the monthly figures. We would just hear about profit without the big minus pulling at the rear.

Why didn’t I see it before? It had to be vanity, and vanity – as I discovered – could be fucking expensive. But I had learned about the antidote: a bucket of cold reality and serious action if you want to avoid bleeding to death.

The only thing that I had to deal with was a loss of face in the Scottish press and a distant whisper about a small failure in London, but I was beginning to learn how to do that. Because, back in London, the biggest opportunity so far was about to fall into our laps.

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Представленный фрагмент книги размещен по согласованию с распространителем легального контента ООО "ЛитРес" (не более 20% исходного текста). Если вы считаете, что размещение материала нарушает ваши или чьи-либо права, то сообщите нам об этом.

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